Her mother was Tanganutura of the Cape Portland people and her father was thought to be Nicermenic from Robbins Island.In 1847 the 47 Palawa people who had survived Wybalenna, including Fanny, Nicermenic and Tanganutura, were sent to Oyster Cove, an old convict station near Hobart. Curator's notes MRS. FANNY COCHRANE SMITH By MUHRAY J. LONGMAN. She was a proud Aboriginal woman who combined her traditional knowledge with European ways, teaching her family the skills of hunting, gathering bush foods, medicine, shell-necklace stringing and basket-making. Sung by Fanny Cochrane Smith, the songs were recorded by Horace Watson in 1899 and 1903 on wax cylinders.Prior to British colonisation in 1803, there were an estimated 2,000–8,000 Indigenous Tasmanians or Palawa people living in the southernmost region of Australia. The Royal Society in Hobart recorded these songs in 1899 and 1903. Fanny was born at … She then sings in both English and her own language. It is part of a series of recordings made between 1899 and 1903.The quality of the recording is rather scratchy, but it is still amazingly clear. They are now held by the Tasmanian Museum and Gallery with enhanced versions held by the National Film and Sound Archive.In recent years, these recordings have assisted the reconstruction of Tasmanian Aboriginal languages revived through the palawa kani program, allowing the Tasmanian Aboriginal community to actively reestablish ownership over their language.The National Film and Sound Archive of Australia acknowledges Australia's Aboriginal and Torres Strait Islander peoples as the Traditional Custodians of the land on which we work and live and gives respect to their Elders both past and present.WARNING: Aboriginal and Torres Strait Islander viewers are advised that the following program may contain images and/or audio of deceased persons Vote now!This page has been produced by the Department of Economic Development, Tourism and the Arts. These recordings are thus records of family and a lasting memory of their ancestor.The wax cylinders used to record these sessions are fragile artefacts and are lucky to have survived. Fanny was born at Wybalenna, Flinders Island, in 1834. She was the daughter of Despite facing incredible adversity early in life, Fanny’s spirit prevailed. With her husband William, an English sawyer and ex-convict, Fanny had 11 children (among them a distant relation of composer Peter Sculthorpe). The wax cylinder recordings of Tasmanian Aborigine, Fanny Cochrane Smith, are some of the earliest recordings ever made in Australia, and the only sound recording of the traditional Tasmanian Aboriginal language - preserving this language for time immemorial.
Tasmanian Museurn, Hobart, Tasmania. These are some of the earliest recordings ever made in Australia, a sound recording of the traditional Tasmanian Aboriginal songs and language from this period.
Fanny successfully moved within two worlds. Fanny Cochrane Smith with her husband William and two men, possibly her sons (ALMFA, SLT) Two children of Aboriginal women and sealers were able to escape their displacement to the Bass Strait islands and return to the mainland of Tasmania. This enabled re-interpretation and translation of the aboriginal spring and corroboree songs to he Is this object significant to shaping Tasmania?
More information on Fanny Cochrane Smith can be found here, or here, including the recording itself. In 1854, she married William Smith and took up a land grant at Nichols Rivulet, keeping close bonds with her people at Oyster Cove. Four years later, in 1903, Horace Watson made further recordings of her at his home in Sandy Bay. The period of conflict between British colonists and Tasmanian Aboriginal people in the early and mid-nineteenth century is known as the Black War.
Fanny and William raised 11 children and she became a well-known and respected member of the small community in the Channel region. She performed all the Tasmanian songs she knew, some in Aboriginal languages, others in English.
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